If you would like to create a very cosmetic, vibrant, unique bit of hand-painted furniture, you might want to attempt faux painting. Faux painting will be able to help you produce an inspiring work of art and includes several practices that are quite different. These techniques include strie, and colour washing, splashing on or off, ragging on or off. Shade sponging on washing and ragging on are all additive techniques. Sponging or ragging off and strie are subtractive methods. It is important to realise that the glaze is blended differently depending on whether you are using an additive or subtractive method. For now we will focus on additive methods for producing fax painted furniture.
How to begin? First, who is the furniture for, where could it be utilized, and what colours do you want to put together? Let us consider ornamental pieces for kids. For this I will join colors with numerous techniques. I imagined it would be applied in a kid’s nursery or room and I wanted to use colours that I believed a little girl would like. I went through paint chips and created three shades that I wanted to join- gentle pink, pale blue, and violet. Afterward I used a blend of two faux painting techniques – color washing and splashing on.
Step one would be to prepare the furniture. The stool I started with was a new piece that was in an unfinished state. I sanded it until it was velvety and smooth. Then I used a base coat of Valspar Undercoater. When the primer has dried, use a micro sanding sponge to smooth out any raised fibres or rough places. Then coat the whole in the base colour.
The next thing to do is to blend your first colour that you will use to sponge or colour wash on, after the base coat dries. To four parts of glaze, you mix one-part paint for all these methods that are additive. With this measure I use Benjamin Moore Latex Glaze. Ensure that the glaze along with the colour are totally mixed. Then to shade wash, get a fabric that is soft and drop into the mixture and wash the wood with the glaze combination. Lightly rubbing the surface in a round motion with the glaze mixture generates a lovely, refined layout. If you are washing on the combination, get a sea sponge and dampen it with water. Shake out any excess to ensure that it’s just moist-not wet. Then dip the dampened sponge into the mixture. Starting on one finish, dab the coloured glaze in a random routine, as you apply converting your hand. After the first coating of glaze has dried, blend the glaze colour that is next for the second coating of colour washing or sponging on. Again, mix one-part paint to four parts glazing medium. Glaze’s second coat should be a slightly deeper colour than the glaze in order to add depth to the timber.
Latest Update: Friday, September 20, 2019